A musical machine of consistency, a sound machine (not a machine for reproducing sounds) which molecularizes and atomizes, ionizes sound matter, and harnesses a cosmic energy. if this machine must have an assemblage it is the synthesizer. by assembling modules, source elements, and elements for treating sound (oscillators, generators and transformers) by arranging microintervals, the synthesizer makes audible the production process itself and puts us into contact with still other elements beyond sound matter. it unites disparate elements in the material and transposes the parameters from one formula to another. the synthesizer with its operation of consistency has taken the place of the ground in a priori synthetic judgement: its synthesis is of the molecular and the cosmic, material and force, not forma and matter, ground and territory. philosphy is not longer synthetic judgement; it is like a thought synthesizer functioning to make thought travel, make it mobile, make it a force of the cosmos (in the same way as one makes sound travel).
G. Deleuze & F. Guattari
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