Mihai Popoviciu Interview

Mihai Popoviciu


The Eastern European electronic music scene has produced a bevy of artists renowned all over the world for their brilliance and creativity. Among this esteemed collective is Mihai Popoviciu, a veteran of the Romanian club Circuit. Mihai’s reputation did not come easily; he has been at the helm of both solo projects and collaborations for more than a decade. He has taken the house and techno tracks that shaped his youthful aspirations and crafted a sound that is emblematic of his personal journey. With a basis in the danceable lockstep beats that typify the nightclub experience, Mihai’s sound has evolved to defy both convention and expectation.

Mihai’s acclaim stems not only from his own musical catalog but also from his work as a producer. One of his addictive international smash hits, “Bis Co”, was the product of a collaboration with fellow artist Jay Bliss. Popoviciu and Bliss continued to combine their creative efforts, realizing a dream founded in struggle and sweat. If the response to their collective output is any indication, they will not cease to win new fans at any time in the near future. Mihai’s creative process has become a source of fascination and intrigue for legions of fans across the globe.

Marko Nastic Interview

Marko Nastic


Hailing from Serbia, Marko Nastic has brought worldwide recognition to the Eastern European music scene. Marko has had to endure hardships that most electronic musicians can’t even imagine. He began honing his skills at a very young age while the Balkan conflict of the mid-1990s raged throughout his home country. Learning how to spin records and program beats in the midst of such a severe event has made Marko a humble but brilliant artist.

In just a short number of years, Marko has ascended to international fame, with many music publications praising his unique style and intoxicating tracks. He has expanded his touring radius and in 2002, he embarked on a tour which began in Brazil. He continued on to performance dates across the globe and he regularly books club and festival gigs on a worldwide scale.

These days, Marko hosts a popular Serbian radio show and continues to create some of the most thrilling music ever to emerge from the European continent. If fact, his latest album is due to be released soon and will undoubtedly be met with critical and popular acclaim. Only time will tell what new and brilliant creations Marko Nastic has in store for us.

Dejan Milicevic Interview

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Not many players in the DJ game have been around for as long as Dejan Milicevic. After nearly two decades in the fast-paced world of dance festivals and dark nightclubs, Dejan’s level of music mastery has become legendary. Ever since he began to spin records as a teenager in Serbia, Dejan has had to work hard for every achievement to his name.

Now, with an international fanbase and over eighty releases, Dejan continues to sell records at an incredible rate. His latest album,“Just Keep Talking Girl”, dropped in August 2012 to critical and popular acclaim. In addition to his extensive catalog, Dejan also co-owns a studio, has established his own record label and helps aspiring musicians learn how to use Burn Audio Tool to make their own tracks.

Truly, Dejan’s career has been an amazing journey filled with countless achievements and successes. He has overcome the circumstances that diminish the dreams of many artists like him. He has defied convention by bringing his Serbian heritage to his music, outperforming house and techno artists from hotspots in New York and London. Thousands of his devoted fans would love to have the opportunity to ask him, “How do you do it?”

The Future of House According to Silicone Soul



Somewhere between house music and avant-garde electronica, Silicone Soul have found their calling. In a recent interview, the group discussed their history and shed some light on their current musical direction. The duo, made up of Craig Morrison and Graeme Reedie, spoke of their beginnings in Glasgow, their first big break and their international acclaim.

Their story reflects their ability to bring together the fevered rumble of dance floor mania and a lifelong devotion to countless musical influences.

Their latest release, the “Smokestak” EP, is simultaneously heart-pounding and heart-stopping. The concise tracklist throws convention aside to make room for radical innovation. It is a rare occasion indeed when house music can be described as ethereal or expansive. This release trips along the edge of expectation, removing what is possible in exchange for what is imaginable.

Yousef’s New Album Offers an Evolution of Sound


From DJing in Liverpool to globetrotting and on to international acclaim, Yousef is one of the hottest names in electronica. With only two albums in his repertoire, Yousef has relied on his hard-won DJ skills to craft a scintillating live show.
He has carried this live auditory experience to locations where few performers dare to tread. Yousef was the first DJ to host a set in war-torn Syria and he has a loyal fanbase in South America, Europe and the US.

Yousef’s new album “A Product of Your Environment”constitutes a significant shift in tone and style for the legendary DJ and sonic artist. The new tracks distance themselves from the standard fare of beat-centric and bass-heavy cuts that DJs so often spin in clubs.Of course, Yousef’s latest offerings are intensely danceable, but there is a focus on melodic leads and harmony that is not present in most house music.
If there is to be a revolution in electronic music, Yousef could very well lead the way and “A Product of Your Environment” will make an excellent ignition. It might be tempting to refer to this release as an improvement on Yousef’s first album,”A Collection of Scars and Situations”, but calling it an evolution is far more accurate. 

La Baaz Interview



We interviewed La Baaz, one of most awesome and promising techno artists on today’s scene and he prepared a special, exclusive dj mix for your pleasure. Check it along with several other projects Patrick’s on. Techno friday’s on.

Alex Niggemann Interview


How long ago did electronic music first speak to you so strongly that it became a passion? About how young were you?

Well, I grew up at the time where electronic music first got really big in the early 90s. I think even the first music I danced to at a kids party in my elementary school was some kind of Euro-Dance stuff. I was about 8 years; I now realize that this was definitely the first time I listened to music on purpose.

As my brother, who I always looked up to, was one of the early ravers, EDM was also daily routine. That was also the reason for, how I got to know about my first record I ever bought: Armand van Helden – The Funk Phenomena.
When I was 14 years old, I told my parents that I’m gonna sleep at a friends house, but I was going to my first party, which was a famous rave in my hometown. From that day on my interest and passion for electronic music and it’s whole culture was born.

Is vinyl better than digital?

Source - Flickr.com


There have been a lot of debates concerning the sound quality of vinyl and digital recordings. Everyone is taking sides and trying to defend their choice. Unfortunately, there is no clear answer yet on which among the two is better. Determining which one sounds better is quite subjective. In addition, there are other salient points that one should understand before they claim one really sounds better.

The big question still remains. Which is better? Audio enthusiasts defend their choices by elaborating the pros and cons of the two. They keep on asserting that there is actually a detectable difference.

The battle surrounds the difference between the nature of storage media that can either be analog or digital. Digital audio works with two basic parameters. This includes the number of times in every second that the waveform height is sampled. This is referred to as the sample rate. It also includes the measurable levels in each sample or the resolution. In a CD, there is 16-bit resolution. Each step is precisely measured on a scale of 0 to 65,535 in its waveform height with a 44,100 times per second sample rate. These measurements are two times more than the highest frequency that the human ear can detect.

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